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o. 157. THE BAUBLE REPUTATION, 


HUMOROUS SILHOUETTE PORTRAIT OF R. H. SToppARD, 
BY HIS SON, LORIMER STODDARD. 


No. 889 


PAINTINGS, ETCHINGS AND 
ENGRAVINGS 


COLLECTED BY THE LATE 


Gymund Clarence Stedman 


FoRMING PART IV of His coLLEcTION 


PAINTINGS BY ALBERT BIERSTADT, HOWARD PYLE AND 
OTHERS; BAYARD TAYLOR WATER-COLORS; SIGNED PROOF 
ETCHINGS BY T. JOHNSON; A PORTRAIT OF E. A, POE 
IN OILS; AUTOGRAPHED PHOTOGRAPHS, 

AND PRINTS, PAINTINGS AND OTHER 
OBJECTS ASSOCIATED WITH 
THE POET’S LIBRARY 
AND HOME. 


TO BE SOLD met 


THURSDAY EVENING, JANUARY 26, 1911 


BEGINNING AT 8.15 o’CLOCK 


EXHIBITION FROM THURSDAY, JANUARY 19, 9.30 a.M. TO 5.80 P.M. — 


‘The Anderson Auction Company 


12 East 46TH STREET 


New York 


TELEPHONE, BRYANT 271 


ART AND MISCELLANEOUS. 


Conditions of Sale. 


1. All bids to be per Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be re-sold, but the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. He also reserves 
tae right to reject any fractional or nominal bid which in his judgment 
may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots pur- 
chased to be immediately resold. 

4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purcLase money to be absolutely paid on or before delivery, in default 
of which the Anderson Auction Company will not be responsible if the 
lot or lots be lost, stolen, damaged, or destroyed, but they will be left at 
the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition two or more days 
before the date of sale, for examination by intending purchasers, and the 
Anderson Auction Company will not be responsible for the correctness of 
the description, authenticity, genuineness, or for any defect or fault in or 
concerning any lot, and make no warranty whatever, but will sell each lot 
exactly as it is, without recourse. But upon receiving before the 
date of sale expert opinion in writing that any lot is not as represented, 
the Anderson Auction Company will use every effort to furnish proof to 
the contrary, and in default of such proof the lot will be sold subject to 
the declaration of the aforesaid expert, he being liable to the owner or 
owners thereof for damage or injury occasioned by such declaration. 

7. Terms Cash. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such lots as 
remain uncleared after twenty-four hours from the conclusion of the sale, 
will be re-sold by either private or public sale at such time as the Ander- 
son Auction Company shall determine, without further notice, and if any 
deficiency arises from such re-sale it shall be made good by the defaulter — 
at this sale together with all the expenses incurred thereby. This con- 
dition shall be without prejudice to the right of the Anderson Auction 
Company to enforce the contract with the buyer, without such re-sale. 

. The Anderson Auction Company will afford every facility for the 
employment of carriers and packers by the purchasers, but will not be 
responsible for any damage arising from the acts of such carriers and 
packers. 

THE ANDERSON AUCTION COMPANY, 
12 East 46TH StTREET, NEw YORK. 


Priced Copy of this Catalogue may be secured for 50c. 


we 


No. $89 


THE AUTOGRAPHED PORTRAITS, ETCHINGS, 
OIL, AND WATER-COLOR PAINTINGS 


OF 


Comund Clarence Stedman 


PART IV 


. AMERICAN PAINTERS. Palette and two brushes of 
August Franzén. [See No. 53.] 


— Palette and six brushes of Jervis McEntee. 


. — The Original Palette and seven,brushes used by 
Sanford R. Gifford, the American painter, with 
painted inscription to Mr. Stedman by the artist on 
the reverse of the palette. [See No. 54. | 


. — Palette and brushes of W. H. Howe, the American 
cattle and landscape painter, with a painting of the 
head of a bull on side, signed. 


. AMERICAN PORTRAITS. John Jay, by B. B. E[llis]; 
John Trumbull, by Tisdale; Portrait in the style of 
St. Memin. Searce portraits. (38) ~ 


. AMERICAN LITERARY PORTRAITS. Bret Harte, 
Parkman, Sidney Lanier, C. Brockden Brown, Cot- 
ton Mather, Holmes, Emerson, ete., some duplicates. 
Engraved portraits. India proofs. 4to and folio. 

36 
( * This and the following lots were collected by Mr. Stedman 
to extra-illustrate his ‘‘ Poets of America.” 

. — Whittier, W. H. Venable, Longfellow, Wm. Dun- 

lap, Emerson, Willis, ete. India proofs. 4to. (44) 


— Proofs on Large Paper of the portraits in Mr. Sted- 
man’s Library of American Literature, some dupli- 
cates. 4to. (129) 


. — Miscellaneous portraits, etc., mainly engraved, in- 
cluding proofs. 4to and smaller. (150) 


* Portraits engraved by Durand, Longacre, Perine, H. B. 
Hall, Sartain, &c. A good collection for extra illustrating. 


10. 


"Bk, 


12. 


13. 


14. 


15. 


16. 


LY. 


18. 


19. 


20. 


21. 


22. 


23. 


24 


AMERICAN LITERARY PORTRAITS. Miscellaneous 
portraits, mostly engravings. 8vo and 12mo. Suitable 
for extra-illustrating, including some proofs. (270) 


—— Miscellaneous portraits, mainly on large paper 
and India proofs, but many water-stained. (Many 
of these can be cut to a smaller size, making good 
India proofs of an 8vo size, suitable for extra-illus- 
trating the majority of large-size books. Nearly all 
the American authors of note are included. (116) 


ALDEN (HENRY M.). Photograph of Henry M. 
Alden. Autographed. Framed. 


ALDRICH (THOMAS BAILEY). Portrait of T. B. 
Aldrich. Photograph. 
* Inscribed ‘‘ E. C. S. from T. B, A.” in pencil. 


BACON (HENRY). Head of a Venetian Girl. Oil 
painting. H.7in.; w.10in. Signed, Venice, 1880. 
Framed. 


BARRETT (LAWRENCE). Engraved portrait of 
Lawrence Barrett, by H. B. Hall. Framed. 


BELLOWS (A. F.). The Wayside Inn. Water-color. 
H.12in.; w.19 in. Signed. Framed. 

BENSON (Ey). Kismet. Oil painting. H. 114 in.; w. 
94 in. Framed. 

BIERSTADT (ALBERT). ‘‘Indians Hunting Buffa- 
los,” photogravure, after the painting by Albert 
Bierstadt. H. 16in.; w. 274 in. Framed. 

* Inscribed ‘‘ Mrs. E, C. Stedman with compliments of 
Albert Bierstadt.” 

— Mountain Landseape, Sunset in the Sierras. Oil 
painting. H. 94 in.; w. 62in. Signed with initials. 
Framed. | 

BOOTH (EDWIN). Engraved portrait of Edwin 
Booth. India Proof Before Letters. H. 10 in.; 
w. Sin. Framed. 

* Signed ‘‘E. C. Stedman with kind regards of Edwin 
Booth.” 
—— Engraved portrait. Framed. 


* Autographed by Edwin Booth, and with the following 
note by Mr. Stedman : ‘‘Engraved years ago, but signed by 
Mr. Booth, at the Players’ Club, March 1893.” 


— Large photograph ‘‘ touched up”’ in water-color. 
About 1860. Framed. 


—— Portrait of Edwin Booth. Photograph from Life 
by Gutekunst. H. 154 in.; w.13in. Framed. 
BOOTH (JUNIUS BRUTUS). Portrait as Richard III. 
Old stipple engraving. 4to. Framed. 
4 


25. 


26. 


27. 


28. 


29. 


30. 


31. 


32. 


33. 


34. 


35. 


36. 


BOUILLARD (J.) The Holy Family, after painting 
by Annibal Caracci. H. 164 in.; w. 23 in. Fine 
impression. Framed. 


BROOKS (A. 8&.). Shore of a Bay and distant village. 
Water-color, signed. H. 14 in.; w. 17 in. Framed. 


BROWN (JOHN, of Osawatomie). Portrait of John 
Brown. Mezzotint. Open Letter Proof. By Wm. 
Sartain. H.1!1in.; w. 94 in. Framed. - 

* Autograph inscription to E. C. Stedman by Chas. F. Hoff- 
man, 1894, suggested by Mr. Stedman’s poem. 

The old House in Irvington, Conn., where John 

Brown. was born. Painted on a piece of clap-board 

taken from the: old house in 1890 by Dr. B. F. 

Beardsley of Hartford (history on the back); Pro- 

cess portrait engraved by the Electro Light Engraving 

Co., folio, AUTOGRAPHED BY MR. STEDMAN, with a 

verse of his famous ballad ‘‘Osawatomie Brown.”’ (2) 


BRYANT (WILLIAM CULLEN. Engraved portrait 
by Burt. With autograph signature. 


BUTLER (GEORGE B., JR.). Lion and Lioness. Oil 
painting. H. 294 in.; w. 394 in. Signed, 1870. 
Framed. 


BURR (AARON). Death-mask of Aaron Burr. 


* Little is known as to the circumstances under which the 
Death Mask of Burr was made. Early in the 19th Century it 
was in the possession of Orson Fowler, the American phrenol- 
ogist, and from it no doubt some replicas were made. Fowler 
lectured on it and exhibited it, and in his description said 
‘destructiveness, combativeness, firmness and self-esteem 
were large, and amativeness excessive.”” Witha letter of John 
H. Boner accompanying it. 


CANNON (TOM). ‘‘ Shot-over,’’ winner of the Derby 
in 1882, owned by the Duke of Westminster. Jockey 
Tom Cannon. Oil painting. Unsigned. H. 9 in.; 
w. 14in. Framed. 


CARLYLE (THOMAS). Photograph by Mrs. Camp- 
bell, London. An unusual portrait. From the li- 
brary of William Le Moyne, and presented to Mr. 
Stedman by Sarah Cowell Le Moyne. Framed. 


CLOSSON (W. B.). Homes and Haunts of the Poets— 
Holmes, Hawthorne, Emerson, Longfellow and Whit- 
tier. 30 etchings. Signed proofs, in case. 12mo. 


CONCORD. ‘‘The Concord School.” Photograph. 
H. 94 in.; w.12in. Framed. 
* Written below: ‘‘ A. B. A. and W. T. H. at the Wayside,” 
meaning A. Bronson Alcott and W. T. Harris. 
COXE (A. CLEVELAND). Etched Landscape. With 


presentation inscription, signed. H. 11 in.; w. 7 in. 
Framed. 


5 


37, 


38. 


39. 


40. 
Al. 
42. 
43. 
44, 


45. 


46, 
AT. 


48. 
49. 


50. 


CRANCH (C. P.). Inthe Harbor of Venice. Water- 
color. H. 94 in.; w. 1382in. Signed. Framed. 


DANIEL (J.). A Lion. After a painting by I. Gra- 
ham. Mezzotint. Proof before letter. London, 1792. 
H. 19 in.; w. 234 in. Framed. 


A Tiger, after a painting by I. Graham. Com- 
panion picture to the foregoing. Framed. 


DE KAY (HELENA) [Mrs. R. W. Gilder]. A Group of 
Children’s Heads. Crayon drawing. H. 6 in.; w. 18 
in. Framed. 


DIBDIN (T. C.). A Mountain Torrent in Wales. 
Water-color. H. 21 in.; w..14 in. Signed, 1871. 
Framed. 


DUNLAP (WILLIAM). Mezzotint portrait by Max 
Rosenthal, 1897. Artist’s Proof, limited to 250 im- 
pressions, signed. | 


EMERSON (RALPH WALDO). Bust portrait. Re- 
production of a photograph by Gutekunst. With 
slip attached: ‘‘Sent to E. C. 8. 1893.” Large 4to. 


Portrait of Emerson, etched by J. H. Niemeyer. 
Signed proof, with presentation inscription to Mr. 
Stedman. 8vo. Framed. 


ENGLISH LITERARY PORTRAITS. Keats, Ruskin, 
Landor, Thackeray, Mr. and Mrs. Browning, Rossetti, 
Wordsworth and other 19th Century authors. Etehed 
and engraved portraits. Proofs on India and China 
paper. (28) 

* This and the following lot were collected by Mr. Stedman 
to extra-illustrate his Victorian Poets. 


— Miscellaneous English Literary Portraits, from the 
commencement of English Literature to the 19th 
century. Mostly engravings. (About 140.) 


ETCHINGS. Portrait of Rembrandt, by Waltner; 
Portrait of Murillo; A lady with a dog, by J. H. 
Niemeyer, signed proof. Framed. (3) 


The Apple Orehard, by T. Moran; The Night 
Serene and Still, by Henry Farrar; Le Pont de Gand, 
by S. Colman; Neapolitan Fishing Boats, by R. Swain 
Gifford. (4) 

FAGAN (JAMES). Photograph of Col. Jedediah E]l- 
derkin, after painting by James Fagan. Framed. 
Presentation inscription on the back from John 
Elderkin. | 


FLAMENG (LEOPOLD). Portrait of Shakespeare. 


Etching. Folio. Framed. 


*Signed proof. ‘‘To E. C. Stedman from Frederick Keppel 
Jan 1 1891.” 
6 


51. 


52. 


53. 


54. 


dd. 


56.. —— 


57. 


58. 


59. 


60. 


61. 


62. 


FORTUNY. Portrait d’une Dame Espagnole. Photo- 
graph of the painting, originally in the possession of 
Mr. J. H. Stebbins and now in the Metropolitan 
Museum of Art, which suggested Mr. Stedman’s 
poem. With autograph inscription by Mr. Stebbins. 
Framed. 


FRANKLIN (BENJAMIN). Engraved portraits by 
Gautier, another French engraving, and others. (7). 


FRANZEN (A.). Sketch, Night Scene. Oil painting. 
H. 124 in.; w. 94 in. Signed. Framed. 


GIFFORD (SANFORD R.). Portrait of S. R. Gifford. 
Photograph. Autograph attached. Framed. 


GRAVIER (A.). River scene with a hay-laden barge. 
Etching after A. Mortimer. Folio. Remarque proof 
signed by painter and etecher. Framed. 


‘““The Fighting Temeraire,’’ after Turner. Etch- 
ing. Signed proof. H.13in.; w. 18 in. Framed. 


HARRIS (MARY). The Summer Woods. Water- 
color. H. 11 in.; w. 18 in. Signed with initials. 
Framed. 


Crab Apples. Water-color. H. 28 in.; w. 13 in, 
Framed. 


HARRISON (GABRIEL). Portrait of Poe. Painted 
from a daguerreotype taken in 1884 by John Plumb 
of N. Y. H. 94 in.; w. 74 in. Signed. 


HAWTHORNE (NATHANIEL) The House of the 
Seven Gables. Fourteen folio designs by C. G. Bush, 
photographed by G. G. Rockwood. Bost. 1871. 


HAY (JOHN). Portrait of John Hay. Photograph. 
Framed. 
* Presented by John Hay to Mr. Stedman, with autograph 
inscription, dated Oct. 8, 1903. 
Souvenir Plaque with portrait of John Hay. Sou- 
venir of the 17th Annual Banquet of the Ohio So- 
ciety, Jan., 1903. 


. HIGGINS (GEORGE F.). The Pasture Lot. Oil paint- 


ing. H.164in ; w.13$in. Signed. Framed. 


. HUGO (VICTOR). Etched Portrait, after Bonnat. 


H. 11 in.; w. 84 in. Framed. 


. INNESS (GEORGE). Woodecut portrait by T. Johnson, 


1890. SIGNED PROOF ON CHINA PAPER. 4to. 


. JOHNSON (MARSHALL). “ The Mayflower approach- 


ing land.’’ Steel engraving, published by the New 
England Society. Folio. ; 


7 


67. 


68. 


69. 


72. 


73. 


74. 


78. 


19. 
80. 


81. 


JOHNSON (T.). Etched portrait of Oliver Wendell 
Holmes. Signed proof. 4to. 

* Autograph inscription to E. C. Stedman by the artist. 
— Etched portrait of Lincoln. Signed proof. Folio. 
* Autograph inscription to E. C. Stedman by the artist. 

Etched portralt of Lincoln (smaller head). oe 


India proof. Small folio. 
* Autograph inscription to KE. C. Stedman by the artist. 


Etched portrait of R. L. Stevenson. Signed India 
proof. Folio. 
* Autograph inscription to E. C. Stedman by the artist and 
marked ‘‘ Not finished.”’ 
Etched portrait of Tennyson. Signed proof. Folio. 
* Marked ‘‘ Not finished.” 


— Etched portrait of Washington. Signed proof. 
Folio. 
* Autograph inscription to E, C. Stedman by the artist. 
—— Portrait of Daniel Webster. Signed proof. Folio. 
* Autograph inscription to E. C. Stedman by the artist. 


—  W. M. Thackeray, wood-engraving, signed proof 
on China paper; John Ruskin, etching, signed proof; 
Benjamin Franklin, etching, signed proof. 8vo. (3) 


. KEATS (JOHN). Copy of Joseph Severn’s portrait of 


Keats, with presentation inscription by Walter 
Severn. Framed. 

The Graves of Keats and Severn. Photograph. 
Framed. | 


KEATS AND SHELLEY. Keats by W. B. Scott, 
Wass and others after Severn, ete.; Shelley by W. B. 
Scott, after Curran and others; Beatrice Cenci; 
Shelley’s house at Marlow, Field Place, ete. Mostly 
proofs, some in duplicate. (18) 


LINCOLN (ABRAHAM). Bust, to left. Etched by 
T. Johnson, 1892. Signed Artist’s Proof on Japan 
paper, and with additional inscription to Mr. Sted- 
man. Folio. 


Lineoln delivering his second inaugural address, 
March 4, 1865. Photograph. 4to. 


LIPPINCOTT (WM. H.). Head of a Girl. Oil paint- 
ing. Signed. Panel. H.104in.; w. 8tin. Framed. 


LITERARY PORTRAITS. <A Collection of several 
hundred portraits in half-tone, woodcuts, etc., mainly 
of contemporary and late 19th century authors, 
American and English. 

* Many portraits included in this collection are unobtainable 
in any other form, and the whole collection forms a remarkable 
representation of nearly every contemporary American author, 
Collected by Mr. Stedman for extra-illustrating his works. 


8 


82. 


83. 


84. 


85. 


86. 


eis 


88. 
89. 


90. 


3 


92. 


93. 


94. 


95. 


96. 


LONGFELLOW (HENRY W.). Engraved portrait by 
C. Burt. Folio. India Proof Before Letters, signed 
by the engraver. 

LOW (WILL H.). Four illustrations by Will H. 
Low to Keats’ Lamia. Proof woodeuts. Framed. 


LOWELL (JAMES RUSSELL). Portrait of J. R. 
Lowell, etched by Anna L. Merritt. H. 114 in.; 
w. 84 in. Framed. 

* Signed proof of second state. Plate destroyed, this being” 
one of only four copies existing. [See no. 90. ] 

McENTEE (JERVIS). Morning, Katskill Mountains. 
Oil painting. H.54in.; w. 9in. Signed. Framed. 

[MAPES (MRS.).] Autumn Leaves. Water-color. 
Framed. 


MASSARD (RALPH URBAIN). ‘‘ Apollo and the 
Muses,’’ after the painting in the Louvre by Giulio 
Romano. Very fine India Proof. Framed. 


— Another copy, also India Proof. Framed. 


MAX (GABRIEL). A Christian Martyr, after Gabriel 
Max. Suggested Mr. Stedman’s poem, ‘‘ The Last 
Token.’’ Photograph. Framed. 


MIELATZ (C. F. W.). Elmwood. (The home of J. R. 
Lowell. Water-color. H. 44 in.; w.6 in. Signed, 
1896.. Framed. 

— An Old Slip, New York. Etching. Signed proof 
on parchment. 3d state, 2d impression. Framed. 
The Dewey Triumphal Arch in Madison Square. 
Etching. Remarque. Signed proof. H. 18 in.; 

w.llin. Framed. 

— In Dry Dock. Etching. Vellum proof. Signed. 
H.13in.; w.19in. Framed. 


MISCELLANEOUS. The Artist’s Model, lithograph, 
unsigned; Countess Potoca, photograph; Maud 
Branscomb, and Adelaide Neilson, photographs. 
Framed. (4) 

Evangeline, line engraving by J. Faed; Queen 

Victoria, wood engraving; Strigels and Sponges, 

etched by Rajon; Lunette, by Luca della Robbia, 

photograph. Framed. (4) 


— Portrait of Diderot; Une Dame Espagnole, after 


Fortuny, woodcut by T. Johnson; Head of a 
Negro, line engraving;. photograph of St. Clair 
McKelway; The Correpondent’s Memorial, photo. 
with inseription by G. A. Townsend; photograph of 
Anna Bowman Dodd; Cathedral Heights, N. Y., 
photo.; photograph of J. K. Paine, with autograph 
inscription; small oval photograph of a girl, un-. 
mounted. Framed and in passepartouts, ete. (9) 
9 


Sie 


98. 


99. 


100. 
101. 
102. 
103. 


104. 


105. 


106. 


107. 


108. 


109. 


110. 


1a 1s 


MISCELANEOUS. Colored poster ‘‘ Niagara” of the 
Pan-American Exposition; three tinted lithographs 
of the Philadelphia, 1876, Exposition; and other folio 
prints. (11) 

MITCHELL (WILLIAM). Of the Olympic Theatre, 
N. Y. 1848. Etched portrait. India proof. Limited 
issue. 

MORAN (THOMAS). Falls of the Yellowstone. Oil 
painting. H.10in.;w.14in. Signed. Framed. 


MUNKACZSY (M.). ‘‘Milton Dictating Paradise 
Lost,”’ after the painting in Lenox Library, New 
York. Etching. H. 15in.; w. 21 in. Framed. 


NEW ENGLAND SOCIETY. ‘‘ First Religious Ser- 
vice in America,’’ colored print; The Arrival of the 
Pilgrims, from a mural decoration. Framed. (2) 


OAKFORD (ELLEN). The Old Fence, Yale, 1888. 
Etching. Remarque. Signed. H. 10 in.; w: 15 in. 
Framed. . 

O’RELL (MAX). Portrait of Max O’Rell (Paul Blouet). 


Photograph. Framed. 
* Autographed by Max O’Rell. 


PAINTING, UNSIGNED. A Peasant Boy. Oil paint- 
ing. H. 21in.; w. 16in. Framed, 

PARRISH (STEPHEN). Fishermen’s Houses, Cape 
Ann. Etching. Signed proof. H.12in.; w. 19 in. 
Framed. 


Low Tide, Bay of Fundy. Etching. Signed 
proof. H.12in.; w.19in. Framed. 


PENNELL (JOSEPH). Catalogue of the N. Y. Etch- 
ing Club Exhibition, 1883, containing Pennell’s ‘‘ At 
Lynchburg, Va.,’’ and other etchings. 4to, wrappers. 


PHOTOGRAPH. An allegorical painting represent- 
ing Our Saviour on the Mount, his followers at the 
foot being the poets of all nations and times—Shake- 
speare, Tasso, Dante, Longfellow, Bryant, ete. Large 
folio. Framed. 


Portrait of a German Painter (Hans Makart?). 
Large folio. Framed. 


PHOTOGRAPHS. King Lear (after E. A. Abbey?); 
Guests at a Lotos Clnb dinner to Gen. Funston; 
portrait of Mrs. John di Zeréga; view of a tomb, 
designed by E, Keyser, with autograph inscription ; 
marble group, by Mozier, Rome, with autograph in- 
scription. Framed. (5) 

Aubrey Beardsley, Kate Claxton, Edna Dean 

Proctor (with her autograph), Gov. Wm. Livingston 

(from an old painting), and other miscellaneous pho- 

tographs. Folio and smaller. (17) 

10 


11%. PINCKNEY (N. F.). Study of a Negro Girl. Oih 
painting. H.8in.; w.10in. Signed, 1887. 


113. PORTRAITS. Originial sepia drawing by C. B. Graf 
of Thomas Hicks, American sculptor. Very finely 
executed. Signed. 


114. —— Original sepia drawing by C. B. Graf of Charles 
A. Dana, American author. Very finely executed. 
Signed. 

Pi, Charcoal drawing of the head of a man thickly ~ 


bearded (Whitman?), inscribed at the bottom 
R. H. 8. (Stoddard?); finely executed pencil drawing 
of Mrs. E. C. Howarth, signed W. A. G. 1866. (2) 


116. —— Pen and ink drawings, signed F. A. D., of John 
Eliot, Bp. Berkeley, Rodman Drake, C. Brockdon 
Brown, John Howard Payne, Charles Chauncey, ete. 
Executed for the reproductions in Mr. Stedman’s 
Library of American Literature. (8) 


117. —— Walt Whitman, proof woodcut by Kruell; Whit- 
man, photograph, with inscription on the back by 
_ Mr. Stedman; C. D. Warner, proof woodcut. (3) 


George Washington, wood engraving by G. 
Kruell; signed proof on China paper; Laurence 
Hutton, two different portraits, both signed by the 
subject; William Winter, printed on satin; William 
Livingston, etched by Albert Rosenthal, signed 
Japan proof. (5) 


118. —— John Burroughs, by J. H. Whitney after Alex- 
ander, signed proof; Max O’Rell, process portrait 
signed by the subject; Henry C. Lea, etched by S. J. 
Ferris, signed by the subject; Royall Tyler, private 
plate etched by S. Hollyer, India proof; Sir John 
Suckling, etched by J. 8S. King, signed proof; George 
Washington, wood engraving by T. Johnson, signed 
proof; Thackeray, etched by T. Johnson, signed 
proof. (7) 

120. —— Portraits from wood-blocks in the possession of 
Houghton, Osgood & Co.—R. H. Stoddard, HE. C: 
Stedman, Longfellow, Emerson, Whittier, Bret Harte, 
Thoreau, Aldrich, Lowell, ete. Proofs, some on 
China paper. 4to and 8vo. (47) 


121. PYLE (HOWARD). Black and white oil, illustrating 
EK. C. Stedman’s poem ‘‘ Morgan, the Last of the 
Buccaneers.’ H. 15 in.; w. 2384 in. Signed. Framed. 


118. 


122. —— ‘* The Quaker Lady.” ORIGINAL WASH DRAWING 
BY Howard Pyle, 1890. 
123. —— Illustration to Mr. Stedman’s poem ‘‘ Morgan.’’ 


Four proof wood engravings. Framed. 
11 


124. REICH (JACQUES). Portrait of Frank R. Stockton. 
Etching. Signed, ‘‘Artist’s working proof, 2d state, 
3d impression.’’ Framed. 


125. REID (R ). Allegorical painting for the United States 
Building at Paris Exposition, 1900. Photograph. 
Framed. 

126. REID (WHITELAW). Photograph, seated in his 
room at West Park, England, 1903. With auto- 
graph inscription to Mr. Stedman, dated Feb. 1907; 
portrait of Mrs. Whitelaw Reid, proof wood-engray- 
ing. Framed. (2) 

127. RITCHIE (A. H.). Engraved portrait of Horace 
Greeley. H. 154 in.; w. 13 in. Framed. 

* Autographed by Horace Greeley. 


128. ROBBINS (H. W.). On the Farmington River. 
Water-color. H. 114 in.; w.194 in. Signed. Framed. 


129. RONIER (A.) ? Coast Scene. Oil painting. H. 84 in.; 
w. 134 in. Signed. Framed. 


130. SAVONAROLA. Plaster plaque. 


131. SCHOFF (8S. A.). Portrait of Ralph Waldo Emerson 
after an original drawing by S. W. Rowse in the 
possession of Charles Eliot Norton. Etching. Signed 
proof. H.10in.; w.14in. Framed. . 


132. SECOR (DAVID PAUL). Head of a Lion. Pen 
drawing. With A. IL. S. of the artist attached re- 
lating the circumstance under which he painted if, 
and presenting it to Mr. Stedman. 


1338. SHARP (WILLIAM). ‘‘ Fiona Macleod.”’ Photo- 
graph of William Sharp, after painting by C. M. 
Ross. Framed. 
* With autograph by William Sharp, dated Rome, 1891. 
134. SHELLEY (PERCY B.). Photographs (three in one 
frame), after paintings by Dwight Benton. 
1. Shelley’s first grave near Via Reggio. 
2. View of the Ocean. 
3. Tomb in the Protestant Cemetery at Rome. 
* With autograph inscription by Dwight Benton. 


135. —— The Slab over the Grave of Shelley. Photograph 

showing the inscription very distinetly. Kramed. 
Shelley Memorial by E. Onslow Ford. Photo- 
graph. Framed. 


* Presented to Mr. Stedman by S. P. Avery, with autograph 
inscription. 


137. SHEPPARD (WARREN). Venetian Market Boats. 
Oil painting. H. 74 in.; w. 16 in. Signed. Framed. 
138. SHIRLAW (W.). Etching after painting by Eastman 
Johnson. H. 114 in.; w. 144 in. Framed. 
12 


Poe Ono ae ee 


139. SHURTLEFF (R. M.). Mountain Landscape. Water- 
color. H. 7Zin.; w.10}in. Framed. 


140. SMILLIE (JAMES D.). ‘‘A Glass with the Squire.’’ 
Etching after Eastman Johnson. Remarque proof 
signed by artist and etcher, 1886. 

* With A, L. 8S. of the etcher presenting it to Mr. Stedman. 


Etched portrait of John Pierpont Morgan. 
Signed. Proof on Japan paper, and with additional - 
inscription to Mr. Stedman. 4to. 


142. STEDMAN (EDMUND CLARENCE). Commemora- 
tive Diploma of the St. Louis Exposition given to Mr. 
Stedman for his ‘‘ Hymn of the West,’’ 1904, designed 
by Will H. Low: Certificate of Record for Mr. Sted- 
man in the ‘‘ Doomsday Book ’”’ of New York, 1860,. 
with the Visscher view of New York. (2) 


141. 


143. —— Portrait of E. C. Stedman, Engraved by T. John- 
son. China proof signed by the engraver. Framed. 
144. —— Portrait of E. C. Stedman, engraved by G. 


Kruell. Proof. Framed. 


145. Portrait of E. C. Stedman. Cabinet photograph, 
three-quarter length seated. Framed. 
146. Portrait of E. C. Stedman. Cabinet photograph, 


full bust. Framed. 


147. —— ‘‘Sensitive Plants.’’ Poem of two verses by 
Genevieve Lucille Farnell, dedicated to Mr. Stedman, 
Oct. 8, 1903. Painted on vellum and illuminated in 
gold and colors. Framed. 


148. 


Proofs on Large Paper of the portraits in the 
eleven volumes of the Library of American Literature. 
Some on China paper, and a few with the autographs. 
of the subjects attached. Many in duplicate, and 
some soiled. 4to. (385) 


Proofs on Large Plate paper, before titles, of the 

portraits in the Library of American Literature, some 

in duplicate, and including a few extra portraits. 4to. 

About 300. 

Proofs of the above on China paper, mainly the 

nineteenth century authors, with a few extra por- 

traits. 4to. (109) 

Proofs of the portraits on small plate paper. 8vo 

size. (142) 

Views of Historic Houses, Birthplaces and Resi- 
dences of famous men, ete., to illustrate the Library 
of American Literature. Proofs on Large Plate paper. 
(70) 

153. —— A set of 143 portraits illustrating the Library of 
American Literature. In cloth portfolio. 8vo. 


18 


149. 


150.. 


151. 


152. 


156. 


157. 


158. 


159. 


160. 


161. 


162. 


163. 


164. 


165. 
166. 


167. 


Ay ae 
AES 


. STEEL (D. L.—daughter of Mrs. Julia C. R. Dorr). 


The Strength of the Hills is His Also. Oil painting, 
H. 5in.; w. 48in. Signed. 


. STEPHENSON (J.). Engraved portrait of Tennyson 


after G. F. Watts. H. 84 in.; w. 64 in. Framed. 


*To it is attached the Sian area AND CONCLUSION OF AN 


AUTOGRAPH LETTER OF TENNYSON. 


STERNER (ALBERT). Photograph of Beatrix 
Demarest Lloyd [Mrs. Atherton Brownell]. From a 


Drawing by Albert Sterner. Inscribed to E. C. Sted- 7 


man from Miss Lloyd 1901. Framed. 


STODDARD (LORIMER). Two Cartoons—‘‘ The 
Bauble Reputation,” ‘‘ The Literary Woman.” 
* Humorous silhouette portraits of R. H. and Elizabeth Stod- 


dard by their son, -*” 
[See Frontispiece. ] _ 


— The Green Woman. Water-color. H. 104 in.; 
w. 74 in. Signed, dated 1887. Framed. 
* With a letter of Mrs. Stoddard presenting it to Mr. Sted- 
man. 
Woman with a Peacock Fan. Oil painting. 
H. 44 in.; w.4in. Signed, 1887. Framed. 
* Autograph Letter of Lorimer Stoddard on the back. 


STODDARD (R. H.). Portrait of R. H. Stoddard, 
Photograph by Hollinger. Framed. 
* With autograph inscription by R. H. Stoddard. 


STODDARD (MRS. R. H.). ‘Cabinet photograph. 
Framed. - 


TAYLOR (BAYARD). San Donato, Murano. 1867. 
Water-color. H.9in.; w. 14in. Framed. 


* Writing by Mrs. Taylor on the margin: ‘ Original sketch 
by Bayard Taylor, presented in accordance with his last will 
and wish to E, C. Stedman by Marie Taylor.” 


View in Crete. Water-color. H: 94in.; w. 13} in. 
Framed. 


Bedouin Song. Facsimile of the original auto- 
graph poem, with woodcut portrait and reproduc- 
tion of Launt Thompson’s bronze bas-relief. Six 
copies printed on three folio sheets. Proofs. 


—— Plaster plaque portrait by Launt Thompson. 


Large size photographs on ecard of Bayard Taylor, 
and of his grave. (2) 


TAYLOR (C. J.). The Dutch Patrol. Two Pen Draw- 
ings framed together. 


14 


fer © 
nici 
abe 
ae 


: No. 157. THE LITERARY WOMAN. 


HUMOROUS SILHOUETTE PORTRAIT OF Mrs. R. H. STODDARD, 
BY HER SON, LORIMER STODDARD. 


168. 


169. 
170. 
171. 


172. 
173. 


174. 


175. 


176. 


177. 


178. 


179. 


180. 


181. 


TEYSSONIERE. ‘‘A Voice from the Cliff,” etched 
after Winslow Homer. Remarque proofs signed. 
* Illustrations of Mr. Stedman’s poem. 


— Another copy, signed proof without remarque. 
— Two ¢copies. Signed Proofs. 


TOSCHI (PAOLO) AND FANTI (G.). L’Incoronata, 
after Correggio. Open Letter Proof. H. 17 in.; 
w. 224 in. Framed. 


VEDDER (ELIHU). Eleven unframed photographs 
after drawings by Elihu Vedder. 


WARREN (A. W.). Fort Hale, Connecticut. Oil 
painting. H.5in.; w. 8in. Signed. Framed. 


WASHINGTON (GEORGE). Portrait of Washington 
after Gilbert Stuart known as the Gibbs-Channing 
Portrait in the Metropolitan Museum. Photograph. 
Folio. Framed. 

* Presented to Mr. Stedman by Samuel P. Avery, with auto- 
graph inscription. 

WATER-COLOR. A Snow-eapped Mountain. Un- 
signed. H. 22in.; w.54in. Framed. 

WEBLING (ETHEL). Portrait of L. Stoddard. Water- 
color. H.6iin.; w. 44 in. Signed 1893. Framed. 


—— Cloud of the Afterglow. Water-color. Framed. 
H. 54 in.; w. 4in. Signed, 1894. 


WHITMAN (WALT). Portrait of Walt Whitman. 
Photograph by G. C. Cox, 1887. Framed. | 
* Autographed by Walt Whitman. 


YALE (LEROY M.). An Old Home. Etching. Proof. 
Framed. 


Etchings: Old Bridge over the Merrimac; Old 
Cider Mill, Milford, Conn.; At Nonquitt, Mass. 
SIGNED PROOFS ON CHINA PAPER, with A. L. 8. of the 
etcher referring to them. 


ZORN (ANDERS). Portrait of Edward R. Bacon. 
Etching. Third state. 

* EXAMPLES OF ANDERS ZORN ARE THE MOST HIGHLY APPRE- 
CIATED, AND THE MOST DIFFICULT TO OBTAIN, of all the contem- 
porary etchers. His portraits, as in this case, being executed 
principally for the subject, are necessarily ‘‘ PRIVATE PLATES,”’ 
and issued in a VERY SMALL NUMBER OF COPIES. 


e 


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